From the show’s website: “Almost US $250 million was invested in this show. It took 5 years of planning and 2 years of rehearsal … More than 700 brilliant performers, musicians and acrobats from over 18 different countries were auditioned … The cast, production and technical teams comprise of over 25 different nationalities.”
Blah, blah, blah, all you really need to know is that this is a brilliant water show and you should really watch it if you get the chance.

The center pool serves as the main stage and looks deceptively small in person. It's actually 26 feet deep.
Directed by Cirque du Soleil’s star director Franco Dragone, The House of Dancing Water is performed twice nightly in Macau’s City of Dreams resort in a theater specially designed for the show by I.M. Pei’s sons.
I know, them’s some big names being tossed around.

They hid a freakin' ship under there. An ENTIRE ship!
The show opens pretty spectacularly, with a full-size ship emerging out of the pool and acrobats climbing up the masts and diving off at varying heights in the first scene.
But the pool-stage doesn’t stay a pool the entire time. Being equipped with 258 automated fountains and eight elevators, the pool also converts into a solid stage regularly throughout the show.
And to be honest, that was the part that freaked me out the most. I’m a natural worrier, and all I could think when the acrobats were diving and doing stunts into the pool was that if there was just one platform malfunction, he or she would dive head first into solid death. Death!
… Life’s ultimate final stunt.
Anyways. Clearly, that didn’t happen because here I am gushing (pun!) about how great this water show is instead of staring blankly out the window as my boyfriend desperately looks up therapists in Manhattan.

A human chandelier
It was pretty incredible how the solid and liquid space was utilized throughout the show. When the stage was a pool, the acrobats were using swings to do dive stunts into it (I think they also do this in O?). When the stage was a solid platform, they brought out motorbikes (yes, motorbikes) and ramps and did a crazy motorbike stunt show.
The whole thing is just a near-overwhelming visual orgy of impressive acrobatics and stunts. The only critique I have — and this is stated widely throughout the reviews — is that the story element of the show is not very strong. Not a big deal to me, as most of my brainspace was occupied being simultaneously impressed and worried that someone was GOING TO DIE, but Boyfriend’s brother didn’t approve of the lame storytelling.
Regardless, I still thought the show was amazing. I haven’t seen many Cirque du Soleil shows so I can’t say whether or not Dragone uses a lot of similar elements in this one (I’ve read reviews that say he does). What I do know for sure is that, unlike Cirque du Soleil’s winter show Wintuk, The House of Dancing Water is a thoroughly enjoyable show.
Wintuk, on the other hand, really, really sucked.
I mean, it just su-u-u-ucked.
It sucked so hard, vacuums everywhere now have identity issues.
Ba-dum ching! … I’ll be here all night, folks.

























